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The Umbrella Academy Seasons Watch Free Online

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The Umbrella Academy is back, reuniting us with the superpowered Hargreeves siblings and their super-sized daddy issues. Season 2 may have ended with our heroes preventing the apocalypse and time traveling back to the present, but that supposed victory had dire consequences. The Hargreeves’ time travel shenanigans created a different timeline, (The Umbrella Academy Seasons Watch Free Online )one where the Umbrella Academy has been replaced by the ruthless Sparrow Academy. They’ve also triggered a chain of events that threatens to bring about the apocalypse, so it’s up to them to once again save the world. Since this is now The Umbrella Academy‘s third installment, the “we only have x amount of time to stop the apocalypse” formula risks feeling a little overdone. Lucky for us, Season 3 avoids that pitfall (for the most part), keeping the Hargreeves’ adventures feeling fresh with powerful new character developments and a fun set of villains to face off against.

 

 

 

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The Hargreeves siblings level up in The Umbrella Academy Season 3 Viktor and Allison Hargreeves go through A LOT this season. Credit: Courtesy Of Netflix While The Umbrella Academy has always boasted a fun ensemble of characters, Season 3 is where each of our leads get their fullest chance to shine. Luther (Tom Hopper) is delightful in full himbo mode, but a new romance makes him reconsider his priorities. Former vigilante Diego (David Castañeda) faces new responsibilities in the aftermath of his relationship with Lila (Ritu Arya). In one of the season’s more heartbreaking storylines, Allison (Emmy Raver-Lampman) grieves the loss of her husband and daughter from previous timelines. Meanwhile, Klaus (Robert Sheehan) expands his powers’ potential with the help of this timeline’s version of Reginald Hargreeves (Colm Feore), and Number Five (Aidan Gallagher) tires of trying to save the world over and over. Among the season’s biggest developments is Viktor’s (Elliot Page) transition, which the show addresses early on and treats with an immense amount of care. The scenes in which Viktor comes out to his family and discusses realizing he’s trans are among the best of the season. On top of his transition, Viktor is also grappling with the return of a figure from his past, someone who threatens to drive a wedge between him and his siblings.

 

 

 

 

 

The Umbrella Academy resonates most when it’s examining the messiness of its central family, whether they’re butting heads or supporting each other through thick and thin. This season gives them plenty of chances to do both, especially now that they’re interacting with Reginald again. The presence of their father — even another timeline’s version of him — leads them to confront more hard truths about their childhood. However, it also prompts them to come more into their own. Trust me when I say the Umbrella Academy you start the season with is extremely different from the one you end it with. The Sparrow Academy makes for an exciting rivalry Say what you want about the Sparrows, but their powers are all pretty cool. Credit: Courtesy Of Netflix. What’s better than one academy of dysfunctional superheroes? Two academies of dysfunctional superheroes! The Sparrow Academy made a big splash at the very end of Season 2, and that carries over into Season 3 with the introduction of their various superpowers — including gravity manipulation and hallucination-inducing venom. However, as we quickly find out, they’re not exactly one big happy family either. Like the Umbrella Academy, the Sparrows have their own interpersonal issues and complicated relationship with their father.

 

 

 

 

 

The Sparrows also have Ben (Justin H. Min), who we only met as a ghost in the first two seasons. This Ben is a far cry from the one we grew to know and love. He’s an ambitious schemer with a bad attitude, and he really, really hates the Umbrellas. For much of the season, Ben is stuck plotting and rasping about his desire to be Number One to anyone who will listen. Emotional payoff does arrive, but much later in the season than I would have liked. However, it’s nice to see Min return in any capacity, and it’s even nicer to watch another set of funky powers in action. The Umbrella Academy Season 3 treads formulaic ground, but is still an enjoyable watch Is Reginald Hargreeves a terrible father in all timelines? Credit: Courtesy Of Netflix On top of the repeated “stop the apocalypse” conflict, this season revisits Umbrella Academy tropes such as “sudden dance party” (of which there are multiple) and “game-changing ending that leaves you with more questions than answers.”

 

 

 

 

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Never Have I Ever 3 Seasons Watch Free Online

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While the first two seasons of Never Have I Ever heavily focused on Devi (Maitreyi Ramakrishnan) navigating her teenage dirtbag years, driven by overwhelming grief, the third season of Mindy Kaling and Lang Fisher’s series is dominated by love… and oh, so much romance! With its crisp and witty approach over 10 episodes, does Never Have I Ever continue being the desi binge-watching show of our wildest dreams? Let’s find out! Picking right off where the previous season left us, Never Have I Ever Season 3 sees Devi finally having her dreams come true: dating the hottest guy in college aka Paxton (Never Have I Ever 3 Seasons Watch Free Online)! However, Devi swiftly realises that it’s never good to judge a book by its “six-pack” cover and that her pursuit to belong is different from what she really wants in life. Moreover, looming closely behind is frenemy Ben (Jaren Lewison), who may be dating Aneesa (Megan Suri), but is still irrevocably hung up on Devi. While the new romance in town is the one between Eleanor (Ramona Young) and Trent (Benjamin Norris), a quirky one at that, with Fabiola (Lee Rodriguez) venturing her sexuality with much more timid ease, Devi’s love triangle becomes a romantic square with the inclusion of Des (Anirudh Pisharody), a good-looking, smart as all hell Indian student, who manages to sweep our beloved character off her awkward feet!

 

 

 

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Let’s not forget the Vishwakumars, who are on adventures of themselves, pleasantly Devi-free, for the most part! While Nalini (Poorna Jagannathan) finds a new ally in Rhyah (Sarayu Blue), Kamala’s (Richa Moorjani) new, blossoming love affair with Devi’s teacher Manish (Utkarsh Ambudkar) finds a desi-size conundrum with Devi’s semi-traditional grandmother Nirmala (Ranjita Chakravarty). What’s interesting this season as mentioned above is how the supporting characters are given ample space, though in a limited time frame, to grow in their own might with major storytelling development. When it comes to the performances in Never Have I Ever Season 3, it’s ultimately The Maitreyi Ramakrishnan Show as the young actress truly cements her confident standing with a heartwarming performance as Devi, a character who gives “complicated mess of emotions” a bad name, but in the best of ways! Devi’s character sketch this season is spearheaded by her (many!) love affairs and that isn’t necessarily a bad thing because it’s through these romantic liaisons that Devi is able to understand the real meaning of self-discovery. More importantly, it neatly ties down to the overwhelming grief attached to the loss of her doting dad Mohan Vishwakumar (Sendhil Ramamurthy, being endearing as ever!) Special mention to John McEnroe for constantly killing it with his narrator timing!

 

 

 

 

 

 

What is missing this season, though, is the spicy bickering between Devi and Nalini, but again, seeing the latter grow out of being just a mother and widow is refreshing to see, especially with Poorna Jagannathan’s solid as stone performance. At no point do creators Mindy Kaling and Lang Fisher forget the core storyline of Never Have I Ever, which is family, nor do they forget the subtle desi elements infused without being too preachy. Whether it be not wanting the middle seat in flight or even relishing food with your hands instead of cutlery. In what came as a welcome surprise, Darren Barnet and Jaren Lewison as Paxton and Ben aren’t just Devi’s love interests but have stories of their own to tell. In the episode titled Never Have I Ever… had a breakdown, we see Ben and Paxton get tangled together under hilarious circumstances, coming out it understanding the other better. It’s definitely one of the strongest episodes of the season as is the last episode titled Never Have I Ever… lived the dream, which delightfully concludes Season 3, leaving you wanting more of Never Have I Ever Season 4, which marks the final swansong for the series. The rest of the supporting cast gets to shine in standout moments as well, which shows us how rooted to the people this show really is.

 

 

 

 

 

Given the sitcom format, Never Have I Ever Season 3 may seem rushed to new fans, but those who have been there from the beginning will absolutely love the pacing as it doesn’t take itself too seriously, whilst dealing with pure, raw emotions tactfully. Moreover, it’s the underlying of Devi’s trauma that is showcased with crisp writing (though the pop culture name drops and quips can get a tad draggy after a point!) that enables us to root wholeheartedly for the main protagonist to seek, whatever it is that’s she’s finding. This can be seen in the rib-tickling, touching and plain epic therapy sessions between Devi and Dr. Ryan (Niecy Nash, stellar as always!) In conclusion, Never Have I Ever Season 3 takes the “fast and furious” approach whilst being addicted to love… scratch that… loving yourself!

 

 

 

 

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The Sandman 1 Season Watch Free Online

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It is finally here. After years in development hell, Neil Gaiman’s iconic comic book series, The Sandman (January 1989 to March 1996) comes to our screens. The eponymous show, developed by Gaiman, David S. Goyer and Allan Heinberg is well worth the 30-year-wait. The audio version of The Sandman released in 2020 with a follow-up in 2021, is gorgeous. Narrated by Gaiman, the voice cast included James McAvoy (Dream), Kat Dennings (Death), Taron Egerton (The Sandman 1 Season Watch Free Online) (John Constantine), Michael Sheen (Lucifer), Riz Ahmed (the Corinthian) and Andy Serkis (Matthew the Raven).

The Sandman 1 Season Watch Free Online
The Sandman
Season: 1 
Episodes: 10
Run time: 37 to 54 minutes
Cast: Tom Sturridge, Boyd Holbrook, Vivienne Acheampong, Patton Oswalt, David Thewlis, Jenna Coleman, Gwendoline Christie, Kirby Howell-Baptiste, Ferdinand Kingsley, Sandra James-Young, Kyo Ra, Razane Jammal, Eddie Karanja
Storyline: When Dream is captured for over a century, the world turns topsy-turvy and it is up to the King to set his realm right The show adapts the first two volumes of The Sandman comics, Preludes & Nocturnes and The Doll’s House. Even though The Sandman is a tale about stories, and the comics can be looked at as stand-alones, the show has been developed with Morpheus/Dream (Tom Sturridge) as the common thread.

In 1916, an occultist, Sir Roderick Burgess, (Charles Dance) imprisons Dream causing the fabric of the world to come apart, for “if dreams disappear, so will humanity.” As the dream world lies in ruins, people around the world are struck by a sleeping sickness while nightmares, including Gault (Ann Ogbomo) escape. Gault, incidentally wants to become a dream to protect children, as she poignantly tells Morpheus, “Even a nightmare can dream”. 

 

 

 

 

 

 

 

 

Once Dream escapes, he has to retrieve his tools — the helm, the ruby and the sand — and set right the dream world, so all will be well in the waking world. His quest takes him to hell where he spars with Lucifer Morningstar (Gwendoline Christie), and also to meet his some of his siblings, the other Endless, Death (Kirby Howell-Baptiste), Desire (Mason Alexander Park) and Despair (Donna Preston). Unity Kinkaid (Sandra James-Young) fell asleep when Morpheus was captured and wakes up a century later when he escapes. During her slumber, she has a baby, and upon waking up she looks for her great-grandchildren Rose (Kyo Ra) and Jed (Eddie Karanja). Unfortunately, The Corinthian (Boyd Holbrook), a serial killer with a weakness for gouging out and eating the eyes of his victims, is also looking for Rose. Dream is looking for Rose as she is the Vortex with the power to create and destroy worlds. While ‘24/7’ where John Dee (David Thewlis) uses the ruby to reveal the ultimate truth and ‘Collectors’, where The Corinthian is the big ticket at an odd convention, are truly the stuff of nightmares, ‘The Sound of her Wings’ is a heart-warming meditation on death.

 

 

 

 

 

 

There is no lack of gore or extreme violence in The Sandman, but there is also fun and wisdom. Dream meeting Hob Gadling (Ferdinand Kingsley) every 100 years at a pub is just one of those fun bits. There is also Will Shakespeare being a giddy fanboy to Kit Marlowe swearing he would sell his soul like Faustus to be able to write like him; all of which warms the hearts of literature nerds worldwide. The spats between the Biblical siblings Cain (Sanjeev Bhaskar) and Abel (Asim Chaudhry), about the names of gargoyles (“they always start with ‘G’”) among other things are more than good for a giggle. The cast is magnificent with Sturridge leading the way as Dream, who in the beginning is cold and remote, but as the series progresses, becomes softer and more human. Vivienne Acheampong as Lucienne, the librarian is an able second-in-command to the Lord of Dreams, while Patton Oswalt plays Matthew. Jenna Coleman is occult detective Johanna Constantine; she also plays her 18 th century avatar, who tries to mug Dream and Gadlin on one of their century meetings. Stephen Fry plays Fiddler’s Green, a place not a person in the Dreaming, while Mark Hamill gives voice to Pumpkinhead.  

 

 

 

 

 

 

While the show has been updated and cast accordingly, quite a lot of Gaiman’s vivid prose is retained. From, “Tools are the subtlest of traps” to “What power have dreams in hell?” as well as episode names which echo the chapters from the books. With season one based on the first two volumes of The Sandman, and another eight volumes that can be developed, one has a lot to look forward to and dream about. For after all, “Tales and dreams are the shadow-truths that will endure when mere facts are dust and ashes, and forgot.”

 

 

 

 

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All of Us Are Dead 1 Season Watch Free Online

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 A high school in Korea is under attack and the enemy (read in plural for impact) is straight out of folklore: zombies. How will a bunch of hot-headed teenagers diffuse this incomprehensible situation? Imagine this for a second: If ‘Stranger Things’—another crowd puller by Netflix—was made with Korean creative sensibilities in mind, and the entire cast and crew be stationed in Korea, and had M. Night Shyamalan as its director… That’s ‘All of Us are Dead’ in a nutshell. This Lee Jae-kyoo project regurgitates—and sort of cements its position in world cinema, yet again—as to why all of us should pay close attention to artists from Korea: the K-everything rage is NOT over nothing, guys! (All of Us Are Dead 1 Season Watch Free Online) What starts off as a harmless in- between-classes shiz at Hyosan High School soon takes the shape of a full-blown state crisis, with kids biting chunks of flesh off of each other, twisting their bodies in abnormal poses and positions, and gurgling out blood… human blood. This ‘turn’ of events can directly be credited to a certain group of bullies—not entirely though—and the gravity of this emergency is amplified by a lab-made virus (umm, rings a bell?). While the rest of the school is off to drain and drink human bodies, a sizable gang of classmates fight it out to stay afloat and make it to the other side of this epidemic: if that’s a possibility at all. Fewer things can qualify as ‘far-fetched’ and/or ‘unbelievable’ since the pandemic blindsided us with its presence in 2020.

 

 

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And, this story just transports one back to those initial days of confusion: scary PPE kits, fights among peers over who brought the virus home, and the like. This 12-episode, lengthy show is by far the finest work on the apocalyptic nature of mankind: shows in simple, coherent terms why science-meets-human-intervention is always a lethal combo. Through hurried—and that is very much a compliment—storytelling and an anxiety- inducing pace of execution, Jae-kyoo takes us through the various stages of an engineered calamity: from seeding to whatever crazy reasoning the culprit(s) has to offer to its very end. Since we mentioned urban legends and folklore in our introduction, it’s interesting to note an excerpt from one of the first few episodes, where a dejected young girl says, “If no one is on your side, is it okay to kill?” Her wise words—the series is laden with such epiphanies—remind us of Mary Shelley’s classic dialogue from ‘Frankenstein’: “It is true, we shall be monsters, cut off from all the world; but on that account we shall be more attached to one another.” In essence, ‘All of Us are Dead’ is both a sci-fi and a case study on humans’ survival instincts: some basic, others ugly.

 

 

 

 

 

‘All of Us Are Dead’ asks pertinent, yet uncomfortable questions pertaining to human nature when there’s room for such liberties, and throws in scientific jargon where it’s necessary. It is this unique fashion of presenting the narrative—a perfect blend of human awakening and what havoc it’s capable of wreaking—that makes this show one of the best in the genre thus far. Another aspect of the supernatural that is, although seen in the past in ‘Split’, fascinating is the intertwining of metaphysical entities such as zombies with semi-humans. Unlike other shows that barely touch upon topical plot points just to ensure it resonates, this series gets to the bottom of things without being too heavy or frustrating for its viewer. In it, we have the classic troupe of betrayal, class distinction, teen pregnancy and how a certain section of the society bullies those beneath them aka the rich brat syndrome. Through motifs and metaphors, ‘All of Us Are Dead’ intends to say: the joke is really on you. The young actors in the show, and we mean all of them, deserve a standing ovation for pulling off a subject—that is often frowned upon—with such earnestness. Yes, the gore can come off as too ghastly for television at times but one gets accustomed to the idea of that level of brutality on screen as the show progresses. Allow yourself some patience with this one. ‘All of Us Are Dead’ is a bloodbath not meant for your average Jane, or Joe: it is dark, dirty and strips humans of all dignity that’s regarded as a prerequisite to function in a civilized society. Our hunch is that you’ll either like it for its sheer audacity or hate it for its utter bluntness. Both ways, the show leaves its desired impact on you.

 

 

 

 

 

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Tomorrow 1 Season Watch Free Online

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Tomorrow is somewhat of an enigma. On the one hand, this sci-fi K-drama is a kooky episodic thriller, tackling numerous different cases and diving into everything from mental health and depression through to workplace bullying and corruption. There are some genuine tear-jerking moments dotted throughout the series and a lot of imaginative ideas played with. At the same time, Tomorrow not only botches its worldbuilding, it does so with so many questions that – (Tomorrow 1 Season Watch Free Online) if you stop and think about any of it – highlight serious flaws that undermine what’s happening. And to make matters worse, the central cast don’t really have all that much chemistry and feel awkwardly contrived together across the run-time. But what is Tomorrow actually about? Well, the show centers on a guy called Choi Jun-Woong who bumps into a couple of Grim reapers one night, called Koo Ryeon and Ryung-Gu. They’re part of a team specializing in saving suicidal people. When their latest target jumps off a bridge, Jun-Woong follows, only to find himself slipping into a coma. His unconscious spirit ends up joining the Crisis Management team, where he’s whipped up on this adventure to save different suicidal people.

 

 

 

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The actual premise isn’t too bad but as the episodes progress, Tomorrow throws up a number of different plot devices that have serious ramifications for the rest of the show. In one of the episodes, Ryeon uses a key to go back in time and stop someone’s death in order to save a suicidal man in the present… and then never uses that again. It’s akin to the Time Turner in Harry Potter being thrown in and then completely abandoned. Time travel is a tricky element to add to a story at the best of times, and unless you have something super simple like Again My Life or deep and intricate like Dark, it feels completely unnecessary. It also diminishes all the tension because these guys can just jump back in time and try again if they fail. Not only that, but the Reapers have a strict code of conduct that they break, constantly. One of their rules is to “not intervene in human affairs.” which is a contradiction unto itself given they’re stopping people from committing suicide. Ignoring that for a second though, one case is resolved by seeing Ryeon curse a boss by giving him stomach problems for the rest of his life every time he badmouths others. While amusing, it also breaks that aforementioned rule about human affairs. Wouldn’t it be ironic if it actually made him suicidal in the future? But just like the magic time travel device, it’s never mentioned again.

 

 

 

 

 

 

While some of the cases are resolved beautifully – especially one highlight involving a war vet – others feel disingenuous and at its worst, lack a fundamental understanding of different issues. One case sees a bulimic woman “cured” by eating cake with a slightly overweight woman, who claims that “eating isn’t bad, I love my body and you should too!” Look, suicide is an incredibly complex subject and fair play to the writers for trying but sometimes the show feels like it bludgeons its way into a magical solution. Oh and there’s also a suicidal dog that can talk to the Reapers, because of course there is. These parts of the show are incredibly frustrating and it’s not helped that Tomorrow’s central cast don’t gel well together at all. There are some really poor attempts at injected comedy to lighten the mood, sometimes right in the middle of a tense or poignant moment. They also almost always fail to hit their mark. Not only that, but when the show finally does show the backstory for these characters, it almost feels like a different story altogether and arrives way too late in the game, with the final 3 or 4 chapters exploring this. There are glimmers of brilliance in this series and some genuinely well-worked segments that deserve to be watched. The aforementioned war vet episode is arguably the best chapter of the whole show. In fact, the writing here is actually on par with My Liberation Notes, one of 2022’s best K-dramas. These moments though are drowned out by inconsistent worldbuilding, plot contrivances and poor characters. Ultimately, Tomorrow is a bit of a mixed bag. Yes there are some golden moments but overall, as a collective whole, this one is disappointingly Tomorrow 1 Season Watch Free Onlineshallow and could have been so much more.

 

 

 

 

 

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Little Women Movie Watch Free Online

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Some of that freshness comes from the cast, a cornucopia of effervescent young talent ballasted by a handful of doughty old-timers. There is also an exuberance — an appetite for clothes, books, baked goods and adventure — that effortlessly links then to now. At the center of the hullabaloo, as she was in Gerwig’s “Lady Bird,” is Saoirse Ronan. She plays Jo March, the second oldest of four sisters living in Concord, Mass., during and after the Civil War. The foursome varies by temperament and talent, inviting a mix-and-match game of identification and infatuation. The oldest, Meg (Emma Watson) is theatrical and responsible; Beth (Eliza Scanlen) is musical and sweet. The youngest sister, (Little Women Movie Watch Free Online) Amy (Florence Pugh), and Jo are a painter and a writer who are frequently at odds. Before romance, tragedy and the ordinary pains of growing up complicate matters, they are an inseparable if not always harmonious troupe. Jo writes the plays that the rest of them perform for an audience that includes various toys, their mother (Laura Dern) and Hannah (Jayne Houdyshell), the housekeeper.

 

 

 

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“Christmas won’t be Christmas without any presents.” That’s the first sentence of “Little Women,” and I’m happy to say that in this gloomy holiday season — when so much of humanity has earned Krampus or coal — the new movie version of Louisa May Alcott’s novel comes as an absolute gift.

 

 

 

 

 

A whole stocking full, really. Written and directed by Greta Gerwig, this “Little Women” — the latest of many adaptations — embraces its source material with eager enthusiasm rather than timid reverence. It is faithful enough to satisfy the book’s passionate devotees, who will recognize the work of a kindred spirit, while standing on its own as an independent and inventive piece of contemporary popular culture. Without resorting to self-conscious anachronism or fussy antiquarianism, Gerwig has fashioned a story that feels at once entirely true to its 19th-century origins and utterly modern. Sign up for the Movies Update Newsletter  A weekly roundup of movie reviews, news, stars and awards-season analysis. But the sisters live mainly to delight (and sometimes to torment) one another. The spectacle of their natural, affectionate, clamorous intimacy is a joy to behold, one we occasionally glimpse through the amused eyes of potential suitors, fond neighbors and a prodigiously judgmental and very wealthy aunt played by Meryl Streep. The girls’ nonjudgmental, non-wealthy father is played by Bob Odenkirk. Rather than starting where Alcott does, during an austere wartime Christmas, Gerwig introduces us to Jo seven years later, an ink-stained scribbler paying a visit to a New York publisher (Tracy Letts). The rest of “Little Women” zigzags between two periods in the lives of Jo and her family. Whereas Alcott traces their fates in a straight line, Gerwig (aided by the deft editing of Nick Houy and the musical stitching of Alexandre Desplat’s score) proceeds by association and recollection. It’s as if the book has been carefully cut apart and reassembled, its signatures sewn back together in an order that produces sparks of surprise and occasional bouts of pleasurable dizziness.

 

 

 

 

This chronological shuffling jolts the story awake and nudges the viewer to pay close attention. Like any good novelist and every great filmmaker, Gerwig isn’t afraid to let her audience work a little. She trusts our intelligence and our curiosity, and also her own command of the medium. Reshuffling the plot is a way of making “Little Women” more cinematic without resorting to tricks or gimmicks. As much as “The Irishman” or “Once Upon a Time…in Hollywood,” this is a film that tackles the mysteries of time. In Gerwig’s hands, the specific magic of the medium — its ability to reorder the sequence of events, to slow down and speed up, to project memory ahead of experience — becomes a tool of philosophical and emotional inquiry. We observe the March sisters becoming who we have always known them to be, and also figuring out, for themselves, who they are. Their simultaneous comings-of-age take place amid the constraints and opportunities of their time, place, class and gender. The publisher who buys Jo’s sensational tales instructs her that women in fiction must wind up either married or dead, and “Little Women” the movie obeys that imperative, though not in quite the same way that “Little Women” the novel does. Romance arrives in the person of young Teddy Laurence (Timothée Chalamet), the slightly dissolute grandson of a wealthy Concord widower (Chris Cooper). Laurie, as the sisters call him, seems at times more like a fifth March sister or an untrained puppy than like boyfriend material. He can’t even sit properly in a chair!

 

 

 

 

 

 

Meg, by consensus the prettiest of the four, falls for Laurie’s tutor (James Norton), which means that her wedding vow is also a vow of poverty. The more practical-minded Amy, counseled by Aunt March, grasps the economic implications of marriage. Jo, who catches the eye of both Laurie and a certain Professor Bhaer (Louis Garrel), might prefer not to marry at all. The question of freedom — in particular of a woman’s independence in a society that is both liberal and governed by tradition — is threaded through nearly every scene. “I’ve been angry every day of my life,” Mrs. March says matter-of-factly, and while “Little Women” is full of silliness and sorrow, sweetness and warmth, it doesn’t minimize or apologize for that anger. Nor does it mock or marginalize the March family’s commitment to social justice, civic responsibility and artistic excellence. All of those were, for Alcott, part of the mainstream of American culture. Gerwig knows that they still are. And so is this kind of entertainment: generous, sincere, full of critical intelligence and honest sentiment, self-aware without the slightest hint of cynicism, grounded in the particulars of life and accessible to everyone. Don’t let the diminutive title fool you. “Little Women” is major. It seems fitting to finish with Alcott’s last sentence: “I can never wish you a greater happiness than this!”

 

 

 

 

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Sooryavanshi follows DCP Veer Sooryavanshi, the Chief of India’s Anti-Terrorism Squad, as he attempts to protect Mumbai from one of the worst terror attacks in history. Rohit Shetty has tactfully expanded his cop universe over the years – keeping the audience engaged and die-hard fans of the genre on the edge. After the Singham series (headlined by Ajay Devgn) and then Simbaa (starring Ranveer Singh), now storms in Sooryavanshi (Akshay Kumar), amidst much fanfare, drama, and blaring theatrics. Sooryavanshi’s character was subtly announced towards the end of Simmba. (Sooryavanshi Movie Watch Free Online) The film has all the elements, attitude, style, showmanship and heavy-duty star power expected of a Rohit Shetty offering. Similar to Simmba, even this cop action saga is narrated by Ajay Devgn, who reminds us of the several terrors attacks which Mumbai has encountered since the 1993 serial blasts to the 2008 terror attack on several landmark locations in Mumbai, including The Taj Mahal Palace, Mumbai and Chhatrapati Shivaji Maharaj Terminus (CSMT). The story in film unfolds as the biggest attack is yet to happen in the city, as some sleeper cells from Lashkar have been activated and it is found that 600 kilos of RDX left over from ’93 serial attacks is being used for the purpose.

 

 

 

 

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Enter DCP Veer Sooryavanshi, with a solid mission and a lot of garam khoon to protect the city from another big attack. He is so committed towards his duty that even his family, wife Riya (Katrina Kaif) and son Aryan come second to his mighty task at hand. With the cross-border plot, the film revolves around the concept of revenge, ‘An eye for an eye, makes the world blind.’ While the story itself plays it safe (basic and predictable), the action is risky and rousing (Rohit Shetty and Suniel Rodrigues). The chase sequence between Veer and John (Sikander Kher) on the streets of Bangkok is a visual delight. Never mind if it seems inspired from Carrie-Anne Moss’s bike scene with the keymaker in The Matrix Reloaded.. just like Ajay Devgn’s Bandra-Worli Sea Link action sequence in Singham Returns was inspired by Tom Cruise’s in Mission: Impossible III. However, Sooryavanshi is riddled with clichés and the length could do with a good edit, especially in the first half. Post interval, it gets gripping with loaded action and dhamaka.

 

 

 

 

 

 

Akshay Kumar delivers a knockout performance. From his seeti-worthy entry to the relentless gunshots — he justifies his super cop act. Apart from the high adrenalin physical encounters, there are umpteen high drama chases, with cars, bikes and helicopters as Akshay Kumar displays his unquestionable action skills. Overall, it’s an Akshay show all the way with his star power and screen presence looming large. Katrina Kaif looks stunning on screen and her sensual moves to the iconic song ‘Tip Tip Barsa Paani’ is undoubtedly clap-worthy, but you can’t not think of the original ‘Mast Mast’ girl of Bollywood, Raveena Tandon. Ajay Devgn’s and Ranvir Singh’s smashing (quite literally) entry in the second half elevates the film and adds the striking punch. As Bajirao Singham and Sangram Bhalerao respectively, the three actors steal the show in the few scenes they have together.

 

 

 

 

 

The ensemble cast, which includes Jackie Shroff as the leader of terrorist gang Omar Afeez, as well as other group members Gulshan Grover, Abhimanyu Singh, Kumud Mishra and Nikitin Dheer, makes a substantial contribution to the plot’s progression. Jaaved Jaaferi’s portrayal of ATS head Kabir Shroff, on the other hand, perfectly plays his serious cop part. While the background score of Sooryavansi sets the mood, the songs are not particularly memorable. The revamped version of ‘Najaa’ is an earworm, but we don’t get to hear it in the film. However, the trio dancing to Daler Mehndi’s ‘Aila Re Aillaa’ is entertaining. Veer Sooryavanshi, Akshay Kumar has successfully taken over the mantle from his predecessors (Singham and Simmba), and with a generous dose of flying and somersaulting cars, this one is quite a bumper Diwali entertainer for you. And if you are a fan of high voltage action movies, go lap this up!

 

 

 

 

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विज़िट ईवीसा क्या है? विज़िट eVisa इस साइट से प्राप्त एक इलेक्ट्रॉनिक वीज़ा है। बहरीन में आपके आगमन से पहले आपके पासपोर्ट में वीज़ा मुहर लगाने की कोई आवश्यकता नहीं है। इसकी कीमत कितनी होती है? विज़िट ईवीसा में निम्नलिखित शुल्क संरचना है:(Bahrain Visa Apply Kaise Kare ) विज़िट eVisa BD 25 के लिए शुल्क (लगभग USD 66) विज़िट eVisa BD 4 के लिए प्रोसेसिंग शुल्क (लगभग 11 अमेरिकी डॉलर) कुल शुल्क बीडी 29 (लगभग यूएसडी 77)

 

 

 

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ध्यान दें कि यदि कोई eVisa आवेदन स्वीकृत नहीं होता है, तो विज़िट वीज़ा शुल्क वापस कर दिया जाएगा लेकिन प्रोसेसिंग शुल्क की कोई वापसी नहीं होगी। मैं कैसे भुगतान करूं? इस वेबसाइट पर आप क्रेडिट कार्ड (पेमेंट गेटवे के साथ सुरक्षित सत्र के माध्यम से) का उपयोग करके आवश्यक शुल्क का भुगतान कर सकते हैं। मैं कब तक रह सकता हूं? विज़िट ईवीसा आपको 1 महीने के लिए बहरीन में रहने की अनुमति देता है। बहरीन में एनपीआरए पर जाकर एक और 2 सप्ताह के लिए विस्तार प्राप्त किया जा सकता है। (कुछ राष्ट्रीयताएं अधिक समय तक रह सकती हैं)। विज़िट eVisa का उपयोग एकाधिक प्रविष्टि के लिए किया जा सकता है। कौन आवेदन कर सकता है? eVisa पात्रता अब 38 की पिछली सूची से 116 राष्ट्रीयताओं तक बढ़ा दी गई है। अधिक जानकारी के लिए, पात्र राष्ट्रीयताओं की पूरी सूची सहित, इस लिंक का पालन करें । यदि आप विज़िट ईवीसा के मानदंडों को पूरा नहीं करते हैं, या यदि आपके पास पासपोर्ट के अलावा कोई यात्रा दस्तावेज है, तो भी आप आगमन पर वीजा, प्रायोजित वीजा के लिए पात्र हो सकते हैं या आप ईवीसा के लिए आवेदन करने के पात्र हो सकते हैं। बहरीन दूतावास। ईवीसा के लिए आवेदन करें बटन दबाकर अपनी पात्रता की जांच करें, और बहरीन के लिए वीजा प्राप्त करने के लिए उपलब्ध विधियों पर ध्यान दें।

  1. आपको बहरीन से बाहर होना चाहिए। (उन यात्रियों द्वारा वीजा के लिए आवेदन नहीं किया जा सकता है जो पहले से ही राज्य में हैं)
  2. आपके पास पासपोर्ट होना चाहिए (किसी अन्य प्रकार का यात्रा दस्तावेज नहीं) और यह बहरीन में आगमन से 6 महीने के लिए वैध होना चाहिए।
  3. बहरीन छोड़ने के लिए आपके पास एक वैध पुष्टिकृत यात्रा टिकट होना चाहिए।
  4. यात्रा के दौरान आपको स्वयं (और आपके साथ यात्रा करने वाले आश्रितों) का समर्थन करने में सक्षम होना चाहिए।
  5. आपके प्रवेश से बहरीन की सुरक्षा और राष्ट्रीय कल्याण का उल्लंघन नहीं होना चाहिए।
  6. आपको किसी विज़िट ई-वीसा की स्वीकृति के 30 दिनों के भीतर उसका उपयोग करना चाहिए। (इस समय के बाद eVisa समाप्त हो जाएगा और आपको फिर से आवेदन करना होगा और दूसरा शुल्क देना होगा)।
  7. इससे पहले कि आप दूसरे वीज़ा के लिए आवेदन कर सकें, आपने अपने वीज़ा का उपयोग कर लिया होगा, या यह समाप्त हो जाना चाहिए था। (एक समय में पासपोर्ट के लिए एक से अधिक वीजा जारी करना संभव नहीं है)।

 

 

 

 

 

 

 

 

शर्तें क्या हैं? विज़िट ई-वीसा निम्नलिखित शर्तों के साथ जारी किया जाता है:

  1. आपको बहरीन से बाहर होना चाहिए। (उन यात्रियों द्वारा वीजा के लिए आवेदन नहीं किया जा सकता है जो पहले से ही राज्य में हैं)
  2. आपके पास पासपोर्ट होना चाहिए (किसी अन्य प्रकार का यात्रा दस्तावेज नहीं) और यह बहरीन में आगमन से 6 महीने के लिए वैध होना चाहिए।
  3. बहरीन छोड़ने के लिए आपके पास एक वैध पुष्टिकृत यात्रा टिकट होना चाहिए।
  4. यात्रा के दौरान आपको स्वयं (और आपके साथ यात्रा करने वाले आश्रितों) का समर्थन करने में सक्षम होना चाहिए।
  5. आपके प्रवेश से बहरीन की सुरक्षा और राष्ट्रीय कल्याण का उल्लंघन नहीं होना चाहिए।
  6. आपको किसी विज़िट ई-वीसा की स्वीकृति के 30 दिनों के भीतर उसका उपयोग करना चाहिए। (इस समय के बाद eVisa समाप्त हो जाएगा और आपको फिर से आवेदन करना होगा और दूसरा शुल्क देना होगा)।
  7. इससे पहले कि आप दूसरे वीज़ा के लिए आवेदन कर सकें, आपने अपने वीज़ा का उपयोग कर लिया होगा, या यह समाप्त हो जाना चाहिए था। (एक समय में पासपोर्ट के लिए एक से अधिक वीजा जारी करना संभव नहीं है)। यदि आप शर्तों के बारे में संदेह में हैं तो आपको एनपीआरए या अपने नजदीकी बहरीन दूतावास से संपर्क करना चाहिए । इसमें कितना समय लगता है? किसी आवेदन की स्वीकृति तुरंत नहीं दी जाती है। आवेदनों को संसाधित करने में लगभग 3-5 कार्यदिवस लगेंगे। निर्णय होने पर हम आपको ईमेल द्वारा सलाह देंगे।

 

 

 

 

 

 

 

मैं कैसे आवेदन दे सकता हूँ? बटन दबाएं ईवीसा के लिए आवेदन करें और निर्देशों का पालन करें। क्या मुझे कुछ भी छापना है? एक बार जब आपका आवेदन स्वीकृत हो जाता है, तो आप यात्रा के दौरान अपने साथ ले जाने के लिए अनुमोदन की एक प्रति प्रिंट कर सकते हैं, लेकिन यह कड़ाई से आवश्यक नहीं है। जब आप बहरीन पहुंचेंगे, तो आपका इलेक्ट्रॉनिक वीजा पासपोर्ट अधिकारी के लिए उपलब्ध होगा जो आपका स्वागत करता है। यदि मेरा आवेदन स्वीकृत नहीं हुआ तो क्या होगा? यदि आपका आवेदन स्वीकृत नहीं है, तो कृपया एनपीआरए या निकटतम बहरीन दूतावास से संपर्क करें । आपके पासपोर्ट में आश्रित हैं? यदि आप उन आश्रितों के साथ बहरीन की यात्रा करने का इरादा रखते हैं जिन्हें आपके पासपोर्ट में पृष्ठांकित किया गया है, तो आपको ई-वीसा के लिए आवेदन नहीं करना चाहिए। इसके बजाय, यदि आप ई-वीसा के लिए पात्र हैं, तो आपको बहरीन की यात्रा करनी चाहिए और आगमन पर वीजा प्राप्त करना चाहिए। आपके आश्रितों को इस वीज़ा पर बिना किसी अतिरिक्त शुल्क के शामिल किया जाएगा। अन्य किस प्रकार के eVisa हैं? यह साइट कुछ राष्ट्रीयताओं के लिए विज़िट ई-वीसा भी प्रदान करती है। इस वीजा के बारे में अधिक जानकारी के लिए कृपया यहां क्लिक करें ।

 

 

 

 

 

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Salman bin Hamad Al Khalifa Biography in Hindi

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सलमान ने 9 मार्च 1999 को बहरीन साम्राज्य के क्राउन प्रिंस के रूप में शपथ ली और 22 मार्च 1999 से 6 जनवरी 2008 तक बहरीन रक्षा बल के कमांडर-इन-चीफ के पद पर रहे।

 

 

 

 

Salman bin Hamad Al Khalifa Biography in Hindi

 

 

 

 

24 फरवरी 2001 को, प्रिंस सलमान को नेशनल एक्शन चार्टर के कार्यान्वयन के लिए समिति के अध्यक्ष के रूप में नियुक्त किया गया था । फरवरी 2001 में आयोजित एक जनमत संग्रह में चार्टर को 98% से अधिक द्वारा अनुमोदित किया गया था और पारदर्शिता, सहयोग और लोकप्रिय भागीदारी के आधार पर बहरीन के भविष्य के विकास के लिए एक व्यापक खाका प्रदान किया गया था। समिति ने राष्ट्रीय चार्टर को लागू करने के लिए कई कानूनों का प्रस्ताव रखा, जिसमें सरकारी खरीद और प्रेस की स्वतंत्रता पर कानून शामिल हैं । 3 मार्च 2002 को, प्रिंस सलमान को आर्थिक विकास बोर्ड का अध्यक्ष नियुक्त किया गया, जो बहरीन की आर्थिक विकास रणनीति तैयार करने और उसकी देखरेख करने के लिए जिम्मेदार है, और इसका उद्देश्य बहरीन में प्रत्यक्ष विदेशी निवेश को आकर्षित करना है । वह निम्नलिखित समितियों के अध्यक्ष भी हैं:

  • सरकारी कार्यकारी समिति
  • प्राकृतिक संसाधन और आर्थिक सुरक्षा समिति
  • उच्च शहरी नियोजन समिति

6 जनवरी 2008 को, राजा हमद ने सार्वजनिक नीति के प्रबंधन और कार्यान्वयन के साथ-साथ बहरीन रक्षा बल और राष्ट्रीय की सैन्य, प्रशासनिक, आर्थिक और वित्तीय योजनाओं की देखरेख के लिए सलमान को बहरीन रक्षा बल के उप सर्वोच्च कमांडर के रूप में नियुक्त करने का एक शाही फरमान जारी किया। रक्षक।

मार्च 2013 में, प्रिंस सलमान को राजा द्वारा पहले उप प्रधान मंत्री के रूप में नियुक्त किया गया था, जिस पर राज्य में कार्यकारी एजेंसियों और सरकारी संस्थानों के चल रहे विकास की देखरेख करने का आरोप लगाया गया था।

11 नवंबर 2020 को, प्रिंस सलमान को उनके महान चाचा, प्रधान मंत्री प्रिंस खलीफा बिन सलमान की मृत्यु के बाद प्रधान मंत्री के रूप में नियुक्त किया गया था , जिन्होंने लगभग पचास वर्षों तक इस पद को संभाला था। 

 

 

 

 

 

 

 

विवाह और बच्चे 

प्रिंस सलमान की शादी 2005 तक शेखा हला बिंत दुआज अल खलीफा से हुई थी। शेखा हला वित्त और राष्ट्रीय अर्थव्यवस्था मंत्रालय के सहायक अवर सचिव शेख दुएज बिन खलीफा अल खलीफा की सबसे छोटी बेटी थीं। हला महिलाओं और बच्चों के लिए सूचना केंद्र के मानद अध्यक्ष और मानसिक मंदता के लिए बहरीन सोसायटी के अध्यक्ष थे। जून 2018 में उनकी मृत्यु हो गई। [10] उनके दो बेटे और दो बेटियां हैं:

  • ईसा बिन सलमान अल खलीफा (जन्म 7 मार्च 1990), वाशिंगटन डीसी में अमेरिकी विश्वविद्यालय में भाग लिया, और 2012 में स्नातक की उपाधि प्राप्त की। वह बहरीन सिंहासन के उत्तराधिकार की पंक्ति में दूसरे स्थान पर है। विवाहित, उसके तीन बेटे हैं जिनका नाम हमद, अब्दुल्ला और सलमान है।
  • मोहम्मद बिन सलमान अल खलीफा (जन्म 11 नवंबर 1992), बहरीन स्कूल (2009 की कक्षा) में शिक्षित हुए। उन्होंने 2011 [11] में रॉयल मिलिट्री अकादमी सैंडहर्स्ट से स्नातक की उपाधि प्राप्त की और बाद में 2015 में किंग्स कॉलेज लंदन से स्नातक की उपाधि प्राप्त की। [12] वह बहरीन सिंहासन के उत्तराधिकार की पंक्ति में छठे स्थान पर हैं। विवाहित, एक बेटा अहमद और एक बेटी बासमा है।
  • फातिमा – अल दाना बिंत सलमान अल खलीफा
  • अल जुदे बिन्त सलमान अल खलीफा

 

 

 

 

Salman bin Hamad Al Khalifa Biography in Hindi Salman bin Hamad Al Khalifa history in Hindi Salman bin Hamad Al Khalifa history in Hindi

Khalifa bin Salman Al Khalifa Biography in Hindi

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खलीफा बिन सलमान अल खलीफा ( अरबी : خليفة بن سلمان آل ليفة ) (24 नवंबर 1935 – 11 नवंबर 2020) [1] बहरीन के शाही और राजनेता थे, जिन्होंने 10 जनवरी 1970 से 2020 में अपनी मृत्यु तक बहरीन के प्रधान मंत्री के रूप में कार्य किया। (Khalifa bin Salman Al Khalifa Biography in Hindi ) उन्होंने 15 अगस्त 1971 को बहरीन की स्वतंत्रता से एक साल पहले पदभार ग्रहण किया था। [2] वह दुनिया में सबसे लंबे समय तक सेवा करने वाले प्रधान मंत्री थे। 2002 के संविधान के तहत उन्होंने अपनी कुछ शक्तियों को खो दिया, राजा के पास अब नियुक्त करने का अधिकार है और ( बहरीनी संसद के साथ ) मंत्रियों को बर्खास्त कर दिया गया है। प्रिंस खलीफा, शासक राजा हमद बिन ईसा अल खलीफा के चाचा और क्राउन प्रिंस सलमान के दादा-चाचा भी थे , क्योंकि वह पिछले अमीर ईसा बिन सलमान अल खलीफा के छोटे भाई थे ।

 

 

 

 

Khalifa bin Salman Al Khalifa Biography in Hindi

 

 

 

 

 

प्रिंस खलीफा 1956 से 1958 तक शिक्षा परिषद के सदस्य और 1958 और 1961 के बीच अध्यक्ष रहे। इसके बाद वे वित्त विभाग के निदेशक (1961-1966), बिजली बोर्ड के अध्यक्ष (1961), मनामा नगर परिषद के अध्यक्ष बने। (1962-1967), बहरीन मौद्रिक परिषद के प्रमुख (1964), आर्थिक और वित्तीय अध्ययन के लिए संयुक्त समिति के अध्यक्ष, वाणिज्य रजिस्टर के लिए समिति के सदस्य, प्रशासनिक मामलों की परिषद के तत्कालीन अध्यक्ष (1967-1969), बोर्ड बने बहरीन मौद्रिक एजेंसी के सदस्य और फिर राज्य परिषद के अध्यक्ष (1972-1974), राज्य परिषद के प्रमुख (1972), और सर्वोच्च रक्षा परिषद के प्रमुख (1977)। प्रिंस खलीफा को उनके भाई अमीर ईसा बिन सलमान अल खलीफा ने 1971 में प्रधान मंत्री के रूप में नियुक्त किया था। इसलिए, उन्हें सरकार और अर्थव्यवस्था का नियंत्रण सौंपा गया था, जबकि उनके भाई, अमीर राजनयिक और औपचारिक मामलों में शामिल थे। [5] प्रिंस खलीफा को 6 अगस्त 2017 को विश्व शांति संस्कृति पुरस्कार मिला।

प्रिंस खलीफा आवास मंत्रालय के संस्थापक हैं, और उन्होंने सेंट्रल बैंक ऑफ बहरीन में सुधार किया । [4] अपने प्रधानमंत्रित्व काल में वे तेल और आर्थिक नीति परिषद के प्रमुख थे। 

 

 

 

 

 

 

दृश्य संपादित करें ]

2011 में, रिपोर्टर बिल लॉ ने कहा कि प्रिंस खलीफा एक कट्टरपंथी थे, जबकि क्राउन प्रिंस सलमान , उनके पोते, जो उप प्रधान मंत्री भी हैं, एक सुधारक थे और राजा दोनों के बीच में कहीं थे। विवाह और बच्चे  प्रिंस खलीफा ने अपने चचेरे भाई हेसा बिन्त अली अल खलीफा से शादी की, मुहर्रक में अली बिन हमद अल खलीफा उद्धरण वांछित ] की चौथी बेटी थी । उनके तीन बेटे और एक बेटी थी:

  • मोहम्मद बिन खलीफा अल खलीफा (-1974)।
  • अली बिन खलीफा अल खलीफा – उप प्रधान मंत्री। उन्होंने ज़ैन बिन्त खालिद अल खलीफा से शादी की, जिनसे उनके तीन बेटे और एक बेटी है:
    • खलीफा बिन अली अल खलीफा
    • ईसा बिन अली अल खलीफा
    • मिनवा बिन्त अली अल खलीफा
    • खालिद बिन अली अल खलीफा
  • सलमान बिन खलीफा अल खलीफा
  • लुलवा बिन्त खलीफा अल खलीफा – अल नूर उपकार समाज के मानद अध्यक्ष। उन्होंने राशिद बिन खलीफा अल खलीफा (1952-), कलाकार और कला के संरक्षक से शादी की। उनके चार बेटे और तीन बेटियां हैं।
    • नूर बिन्त राशिद अल खलीफा
    • खलीफा बिन राशिद अल खलीफा
    • हस्सा बिन्त रशीद अल खलीफा
    • अब्दुल्ला बिन राशिद अल खलीफा
    • आयशा बिन्त राशिद अल खलीफा
    • मोहम्मद बिन खलीफा अल खलीफा

 

 

 

 

 

 

 

 

मृत्यु 

प्रिंस खलीफा बिन सलमान अल खलीफा ने विभिन्न स्वास्थ्य समस्याओं का अनुभव किया। सितंबर 2019 में, वह इलाज के लिए जर्मनी गए, और मार्च 2020 में बहरीन लौट आए। [4] उन्होंने जुलाई 2020 में आखिरी बार कैबिनेट का नेतृत्व किया और अगस्त 2020 में इलाज के लिए अमेरिका गए। प्रिंस खलीफा बिन सलमान अल खलीफा का उनके 85वें जन्मदिन से 13 दिन पहले 11 नवंबर 2020 को 84 साल की उम्र में रोचेस्टर, मिनेसोटा में मेयो क्लिनिक में निधन हो गया। [8] 50 साल और 11 महीने के कार्यकाल के दौरान, वह अपनी मृत्यु के समय इतिहास में दुनिया के सबसे लंबे समय तक सेवा करने वाले प्रधान मंत्री थे। [9] [10] उन्हें 11 नवंबर 2020 को रिफ़ा में हुनैनियाह कब्रिस्तान में दफनाया गया था।

 

 

 

 

 

Khalifa bin Salman Al Khalifa Biography in Hindi  Khalifa bin Salman Al Khalifa history in Hindi Khalifa bin Salman Al Khalifa history in Hindi

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